5 ways to get great photos, shooting against the sun. Any technique that you have in your arsenal as a photographer can give you an edge in this market. For example, there is nothing complicated about to shoot into the sun and not too difficult to use highlight A sign of a good photographer is the ability to turn a horrible ugly place into something magical, creative use of light. 1. Exposure is the most common question when it comes to this technology. It is important to use the manual mode to achieve the desired effect. Many people say they are removed in manual mode (Manual mode), but in reality, it is not so, because they still use the light meter to adjust the settings. Most likely, your camera it works just fine, but it still is not always accurate, especially if you're shooting into the sun.In this situation, the sensor thinks that the image will be overexposed, so if you use the settings on the basis of this information, your picture will turn out underexposed. Forget about the fact that the said sensor and adjusts exposure on the skin of the subject, using the histogram preview of the display, do not forget to turn on the burned-out area - make sure that the area in which the person does not blink. In such a situation is normal, if the entire background is overexposed, in fact, this is exactly what makes a romantic mystery which you are seeking. 2. Focus Focus when you shoot into the sun is almost impossible. In such cases you will have a little help to AF. Select the focus on the center (one point) and point it at the subject. You can temporarily close the lens from the sun by hand, it should help get rid of the glare on the second and easier focusing. When the focus is set, remove your hand, change the composition and press the button. Another way - to use a higher aperture than usual. 3. Time of day easiest way to get nice highlights and overexposure in the afternoon. If you're shooting for an hour before sunset, you will not have to lie on the ground, the sun was behind the object, except the light at this time becomes softer. But, of course, this rule can be broken. Remember one thing: this effect can be used not only on the street but in the room, opposite the window or door. 4. Result should not be ideal Remember that the most fascinating in this technique - is that you never know what you get. Face of the model does not have to be fully visible. Do not analyze too much, if you are a delight to experiment - just do it! For example, sometimes photographing the sun, you can get stunningly beautiful glare, but the picture will not sharp, and it is - it does not matter. Do not think about what my mother would say the client, if the model is not fully visible left eye. Relax, you have a 567 perfectly exposed images. After all, being a photographer is not only to please the customers, but also to take off for you! 5. Different lenses, different patches Do not forget that different lenses give different reflections. This is a subjective opinion, but higher quality than your lens, the more difficult to achieve a pleasant glare.
5 ways to get great photos, shooting against the sun. Any technique that you have in your arsenal as a photographer can give you an edge in this market. For example, there is nothing complicated about to shoot into the sun and not too difficult to use highlight A sign of a good photographer is the ability to turn a horrible ugly place into something magical, creative use of light. 1. Exposure is the most common question when it comes to this technology. It is important to use the manual mode to achieve the desired effect. Many people say they are removed in manual mode (Manual mode), but in reality, it is not so, because they still use the light meter to adjust the settings. Most likely, your camera it works just fine, but it still is not always accurate, especially if you're shooting into the sun.In this situation, the sensor thinks that the image will be overexposed, so if you use the settings on the basis of this information, your picture will turn out underexposed. Forget about the fact that the said sensor and adjusts exposure on the skin of the subject, using the histogram preview of the display, do not forget to turn on the burned-out area - make sure that the area in which the person does not blink. In such a situation is normal, if the entire background is overexposed, in fact, this is exactly what makes a romantic mystery which you are seeking. 2. Focus Focus when you shoot into the sun is almost impossible. In such cases you will have a little help to AF. Select the focus on the center (one point) and point it at the subject. You can temporarily close the lens from the sun by hand, it should help get rid of the glare on the second and easier focusing. When the focus is set, remove your hand, change the composition and press the button. Another way - to use a higher aperture than usual. 3. Time of day easiest way to get nice highlights and overexposure in the afternoon. If you're shooting for an hour before sunset, you will not have to lie on the ground, the sun was behind the object, except the light at this time becomes softer. But, of course, this rule can be broken. Remember one thing: this effect can be used not only on the street but in the room, opposite the window or door. 4. Result should not be ideal Remember that the most fascinating in this technique - is that you never know what you get. Face of the model does not have to be fully visible. Do not analyze too much, if you are a delight to experiment - just do it! For example, sometimes photographing the sun, you can get stunningly beautiful glare, but the picture will not sharp, and it is - it does not matter. Do not think about what my mother would say the client, if the model is not fully visible left eye. Relax, you have a 567 perfectly exposed images. After all, being a photographer is not only to please the customers, but also to take off for you! 5. Different lenses, different patches Do not forget that different lenses give different reflections. This is a subjective opinion, but higher quality than your lens, the more difficult to achieve a pleasant glare.
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